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Kate Dorrough,  'Calligraphic Language of the River', stoneware ceramic with glaze, 42 x 27 x 21 cm, 2025  

 

The ancient vessel, a container or holder of water made from clay and water celebrates the potency of the river. Inscribed with a calligraphic language of the river its surface a palimpsest of multiple layering of glaze firings fused with the iron oxide with the clay body. It speaks of a layered history, the implied script or text acknowledging the need to understand the river in order to work with this vital and cyclical force pivoting within the land and the sky. 


The Northern Beaches Environmental Art & Design Award runs from 7th August - 20th September, 2026



A Palimpsest Effect

Essay by Emma-Kate Wilson,
Issue 75, 2026. pp122 - 125

"The slow, conscious methodology of hand stitching, coiling large clay vessels and painterly, rhythmic mark making defines Sydney-based artist Kate Dorrough’s painting, ceramic and textile practice. Her painting style renders the landscape and connection to place in expressive gestures, with line and form working quickly across the surface. Her ceramic vessels mirror her sizeable canvases, with painted glaze on clay. She uses the metaphor and physicality of the ‘river’ as a theme in her multidisciplinary works - the river as a life giver, and her seasons of womanhood as mother and artist"





'Shrine to the River'
textile with hand built ceramic vessels, 2025

'Shrine to the River', up-cycled textiles, acrylic fabric paint, stitching, cotton thread,  hand built stoneware ceramic vessels with glaze, 200 x 154 x 70 cm, 2025

A painterly approach to both textile and ceramics, assembled and collaged textiles and multiple layering of glaze firings echo the calligraphic mark. Evoking a theatrical stage setting, the textile as costume or vestment and ceramic vessels as offerings or actors on a stage are homage to the rivers ecological importance.  


6th December 2025 - 1 March 2026 at Wollongong Art Gallery



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